Polias, Peggy – Receptor (4.3 octave marimba solo) ^□□ Ptaszyńska, Marta - The Twittering Tree (xylophone solo) Metcalfe, Joanne - Floating and Grooving (marimba solo) Likhuta, Catherine - Heirlooms (marimba & piano) □□ Likhuta, Catherine - Under the Blue (marimba solo) □□ Kats-Chernin, Elena - Violet's Etude ^□□ Ignatowicz, Anne - Toccata, The Silence Pierced by Distraction Grenfell, Maria - Stings & Wings (4.3 octave marimba solo) ^□□ Gomez, Alice & Rife, Marilyn - Rain Dance, Anasazi Gardner, Alexandra - Ayehli (5 octave marimba solo) Thank you for your efforts Claire!” Steve SchickĪbe, Keiko – Ancient Vase, Memories of the Seashore, Little Windows, Wind in the Bamboo Grove, Wind Sketch, Prism, Marimba d’Amore, Frogs, Dream of the Cherry Blossoms, Michi, Variations on Japanese Children’s SongsĬawrse, Anne - Dance Vignettes (4.3 octave marimba solo) ^□□Ĭole, Amanda - Glocken Blocken (marimba & almglocken) ^□□Įtezady, Roshanne - Boomslang, Disco Lemonade (marimba solos) "I am very grateful for your project and feel that the gender balance among composers for percussion is the most important challenge we face currently - I feel the need for greater equity more than ever right now. Please contact me if you have any suggestions for additions to this ever growing list. This is another great list collated by James Doyle at Adams State University of Percussion Ensemble works by female identifying composers - many of which have been incorporated below. Many of these works were created in collaboration with me (denoted with ^) and many very recently as part of my Rhythms of Change project and others can be found here on my YouTube playlist of Repertoire by Female Identifying Composers. This list should help you get started on a journey of discovering a whole raft of awesome new music by female identifying composers from around the world. Given percussion is a relatively new solo instrument, I truly believe that all percussionists should be programming 50:50 gender equal programs - we have no excuse!
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